Sy Shackleford’s apt description resonates: “This emcee exemplifies resilience and growth within his domain.” Peter William Nelson embodies the essence of an underground, independent Ohio rapper, undeterred by acclaim or skepticism, staying true to his craft. While praise is appreciated, Nelson remains steadfast, tuning out the noise, evident from the onset of “Ultrasound: The Rebirth EP.”

Wasting no time, Copywrite addresses past grievances with Eastern Conference Records, setting a candid tone reflective of his unapologetic style. His sharp intellect and creative prowess shine brightest when fueled by determination,

Collaborations like “O.D (Overdose)” with Royce Da 5’9″ seamlessly blend two lyrical maestros over Camu Tao’s masterful production, evoking a sense of lament for lost talents like Sean Price on “Pick-Up Stix” produced by Jay Notes. Clocking in at over half an hour, “Ultrasound: The Rebirth EP” defies the brevity of modern releases, offering an immersive experience akin to a generous serving of Five Guys fries. Yet, while the production is solid, it falls short of either extreme, neither abysmal nor groundbreaking. Acknowledging its niche appeal, the EP may not revolutionize the genre, but Copywrite’s unwavering dedication ensures a consistent output. Despite reviews, Nelson remains undeterred, his resilience fueling a continuous journey of artistic evolution, a testament to his enduring commitment to the craft.