If you’re unfamiliar with the term “weeaboo,” it’s often used to describe someone, typically white, who’s excessively enamored with Japanese culture, often to the point of being ridiculed by their peers. Weeaboos are known for having a superficial understanding of Japan, largely derived from anime, manga, and video games. They may obsess over learning Japanese, dream of moving to Japan, and even dress in stereotypical clothing like kimonos and sandals. Essentially, they’re seen as individuals who would eagerly abandon their own identity to adopt a Japanese one if given the chance, making them a figure of ridicule both at home and abroad.

However, what this label overlooks is the deeper emotional complexity of feeling disconnected from one’s own cultural roots. For those who grow up in environments where strict adherence to cultural norms is expected and deviations are met with rejection, being labeled a weeaboo can feel like yet another form of ostracism. DEMONDICE’s lyrics on “Hazy Skyscraper,” expressing a sense of not belonging anywhere, resonate with this experience. Being called a weeaboo is akin to being labeled a “wigger,” facing mockery and exclusion from peers for not fitting into the expected mold.

On tracks like “wannabe,” DEMONDICE confronts the stereotypes and prejudices she faces head-on. Despite being dismissed by some as just another “worst female rapper,” her skills on tracks like “Kakigori Galaxy Astronaut” prove otherwise. She demonstrates a mastery of flow, melodic vocals, and intricate rhyme structures, effortlessly navigating complex patterns with skill and finesse. However, her foray into singing on “Soundless” may not be to everyone’s taste. DEMONDICE, a white woman named Karen, may seem like an easy target for ridicule, especially given her deep immersion in Japanese culture and society. However, her interest in Japan extends far beyond the superficial, as she resides in the country, speaks the language fluently, and approaches her music with respect and sincerity. While she may face challenges as a foreigner in Japan, her unwavering dedication to her passions and refusal to conform to societal expectations are worthy of respect and admiration.